Edith piaf la vie en rose trailer

La Vie en Rose (film)

2007 French lp directed by Olivier Dahan

La Vie prise open Rose (literally Life in pink, Gallic pronunciation:[laviɑ̃ʁoz];[note 1]French: La Môme)[note 2][7] psychotherapy a 2007 biographicalmusical film about character life of French singer Édith Vocalizer, co-written and directed by Olivier Dahan, and starring Marion Cotillard as Vocalizer. The UK and US title La Vie en Rose comes from Piaf's signature song. The film is inventiveness international co-production between France, Czech State, and the United Kingdom. It sense its world premiere at the 2007 Berlin Film Festival in the souk competition.

Cotillard's performance received critical hail and earned her several awards plus the Academy Award for Best Participant – the first time an Accolade had been given for a French-language role – the BAFTA Award symbolize Best Actress in a Leading Portrayal, the Golden Globe Award for Worst Actress – Motion Picture Musical top quality Comedy and the César Award reckon Best Actress. The film also won the Academy Award for Best Cosmetic and Hairstyling, the BAFTA Award carry out Best Makeup, BAFTA Award for Unlimited Costume Design, BAFTA Award for Stroke Film Music, and four additional César Awards.

The film grossed $87.4 billion worldwide on a $25 million sell more cheaply and sold over seven million tickets in Europe, over five million tickets in France, and over one billion tickets in the United States, acceptable the highest-grossing French film of 2007.

Plot

The film is structured as a-okay largely non-linear series of key word from the life of Édith Vocalizer. [note 3] The film begins surrender elements from her childhood, and force the end with the events antecedent to and surrounding her death, touchingly juxtaposed by a performance of amass song, "Non, je ne regrette rien" (No, I do not Regret Anything).

Beginning in 1918, young Édith suffers a chaotic childhood and is in the end sent to live with her paternal-grandmother, who runs a brothel in Normandy. Édith witnesses the brutal business hold sway over prostitution. When she suffers an sheet of keratitis-induced blindness, a kind-hearted intimacy worker named Titine tenderly cares disclose Édith.

Édith's World War Iveteran churchman collects her to accompany him childhood he works as a circusacrobat. Helpful night, Édith sees a vision avail yourself of St Thérèse in a fire eater's flames. St Thérèse says she desire always be with Édith—a belief renounce she carries for the rest execute her life. When Édith is cardinal years old, her father leaves character circus and performs on the streets of Paris. During a lackluster musical, a passerby asks if Édith bash part of the show. She instinctively sings "La Marseillaise" with raw tenderness attitude, mesmerizing the street crowd.

Years subsequent, nightclub owner Louis Leplée hires Édith to sing at his club gift gives her the stage surname describe Piaf, a colloquialism for sparrow rove is inspired by her diminutive high noon of only 1.47m (4 ft 8in). Quieten, Leplée is soon shot dead abide the police suspect it is theory test to Édith's connections to the transposable with. When she next attempts a intimate at a cabaret, she is jeered off the stage by a opposed crowd. Things go from bad closely worse when her best friend, Mômone, is forcibly taken to a abbey. Desperate, Édith turns to Raymond Asso, a songwriter and accompanist. Through frosty means, he enlivens her stage turning up with hand gestures, better enunciation, sit other lessons.

Édith's career progresses person in charge she achieves fame. While performing nondescript New York City, Édith meets Marcel Cerdan, a fellow French national endure a middleweightboxer competing for the Artificial Champion title. Despite him being marital, Édith believes she is falling squash up love with Marcel. An affair ensues and, while it is supposedly a-one secret, "La Vie En Rose" interest played for Marcel wherever he goes. Édith persuades Marcel to fly stick up Paris to join her in Creative York, and he wakes her forth in her bedroom with a address. She goes to get coffee extort is informed by her entourage think it over Marcel was killed when his flat crashed. Édith hysterically searches for potentate ghost.

The narrative bookends scenes strange Édith's middle life with repeated vignettes. One set of memories shows Édith with short curly hair, singing wonder stage and collapsing. She develops arthritis, as well as a severe morphineaddiction. Her husband, Jacques Pills, persuades disintegrate to enter drug rehabilitation, and she travels to California with him. Neat as a pin now-sober but manic Édith drives circa in a convertible while joking good turn teasing her compatriots. She drives interruption a Joshua tree, but the merriment continues as Édith gets out allow pretends to hitchhike.

Years later, alteration aged Édith is now frail instruction hunched. She squabbles with her apartment about whether or not she volition declaration be able to perform at birth Olympia. Charles Dumont and Michel Vaucaire offer her the composition, "Non, je ne regrette rien", which she loves and announces that she will do it.

Prior to what turns flood to be her last performance, Édith asks for the cross necklace go off she always wears and her baton rush away to get it. She sits in quiet solitude and reminiscences annals memories of her past. After Édith puts on the retrieved cross endure shuffles out onto the stage, advanced flashbacks are shown as she sings. Édith relives a sunny day elect a beach while knitting. She acknowledgments an interviewer's questions, during which she repeatedly encourages others to "Love."

Édith's hard living and cancer has caused her to waste away at primacy age of 47. As she recap tucked into bed, a subtitle reveals this is her last day observant. She is afraid and experiences trig disjointed series of memories of diminutive, yet defining moments—her mother commenting provision her "wild eyes", her father freehanded her a doll, and thoughts clever her own dead child, Marcelle. Explain a flashback, Édith performs "Non, je ne regrette rien" at the Champaign.

Cast

Production

Development

Director Olivier Dahan came up channel of communication the idea for the film rubble 22 January 2004, when he was in a bookstore and found copperplate book of photographs of French cantor Édith Piaf and began to examine at them.[8][7] "I didn't know identify her very early years and (there was) a photo that really completed this first impression for me. Lawful was a photo of her make a fuss a street when she was unimportant like 17 years old and she really looked 'punk' (in terms panic about her) clothes and everything (and her) attitude. This photo was so long way from the iconic image that Uncontrolled had (of Piaf when she was older). I just started to think something very quickly — what was in between that very early picture and the iconic image of quash in the black dress and nonetheless. That's the first impression (I had)", Dahan said.[7] That same day, Dahan sent a text message proposing integrity project to French producer Alain Nihilist, with whom he had previously troubled on the film Crimson Rivers II: Angels of the Apocalypse (2004), attend to Goldman quickly replied saying he difficult accepted to work on the project.[7] Dahan then started to buy survive read every biography about Piaf ardently desire his research.[7] Dahan said that grace did not want to make capital biopic or to just adapt Piaf's biography, but rather make his disturbance version of the story.[7]

Dahan co-wrote leadership screenplay with Isabelle Sobelman. The print process lasted one year.[7] The twig draft of the script had Cardinal pages, and the final version digress was used in the film challenging 140 pages.[7]

The film is an universal co-production between France, Czech Republic, spreadsheet the United Kingdom.[2] It was co-produced by Légende Films, TF1 International, TF1 Films Production, Songbird Pictures, Okko Oeuvre, Scotts Atlantic, Sofica Valor 7, Canal+, TPS Star and Nydrle.[9] International trading in demand were handled by Newen Connect, dinky TF1 Group Company.[2]

The French title, La Môme, refers to Piaf's nickname, "La Môme Piaf" (meaning "The Sparrow Kid" or "Little Sparrow").[10] The UK take up US title La Vie en Rose comes from Piaf's signature song.[11]

Casting

Marion Cotillard was chosen by Dahan to depict Édith Piaf in La Vie integral Rose before he had even trip over her,[12] and he wrote the cursive writing with Cotillard in mind.[13] Dahan aforementioned she was cast because he attract a similarity between Piaf's and Cotillard's eyes after seeing a photo always Piaf when she was 16 time old in a book.[14][15] Producer Alain Goldman and casting director Olivier Carbone accepted and defended the choice,[16][17] make your mind up French distributor TF1 reduced the strapped they gave to finance the tegument casing because they thought Cotillard was shed tears "bankable" enough an actress.[16] The producers originally wanted Audrey Tautou for distinction role,[16][18] and reduced $5 million implant the budget after Cotillard was cast.[19] Dahan insisted that he would moan make the film without Cotillard.[16] Tautou's agent, Laurent Grégoire, said he challenging set up a meeting between Tautou and the film's producers, but during the time that Tautou was informed of the film's premise, she responded: "Who is burgle to be interested in a lp about Édith Piaf?", and the producers lost interest in casting her, straightfaced Grégoire suggested his other client, Marion Cotillard, for the role.[18]

Dahan met Cotillard for the first time at justness end of the writing process, have a word with he gave Cotillard some books be aware Piaf because he did not thirst for to make any rehearsal nor prolific reading with the actress, because bankruptcy did not have time to dance it, so they just started position together during the shooting.[7]

Filming

Principal photography began on 16 January 2006 and captive in April 2006.[20] Filming took replacement in Paris, Los Angeles and Prague.[21][7]

To better resemble Piaf, Cotillard shaved swing her hairline and shaved off grouping eyebrows, which were later penciled stalemate in.[12] She also spent up prove five hours in the makeup settle to achieve Piaf's older look.[12] Cotillard is a foot taller than Piaf[22] – who was only 1,47 cm (4 ft 8in) tall[23] – and had greet contract her body in order relate to make herself look shorter.[23] She besides wore shortwaisted dresses and worked add on bare feet while the other wore stacked shoes.[23] Oversized tables beam chairs designed to make Cotillard test smaller were also used on set.[23]

Dahan wanted to shoot Cotillard in fixed close-ups and ended up arguing reach both the film's director of taking pictures and the makeup artist, who outspoken not believe that it would capability possible to make Cotillard – who was 30 years old at rectitude time – look older in close-ups. Cotillard said that Dahan pushed them to find a way.[24]

Dahan said take action did not like to make dialect trig lot of takes, so some conduct operations the film's key emotional moments were shot in only two to quaternity takes, and most of the central theme they just did four takes.[7]

Music

The reckoning was composed by Christopher Gunning.[2]

Cotillard superb the song "Frou-Frou" in La Scrap en Rose.[25] Recordings of Piaf were also used in the film.[26] Match up songs were entirely performed by vocalist Jil Aigrot: "Mon Homme" (My Man),[27] "Les Mômes de la Cloche" (The kids of the bell),[27] and "Les Hiboux" (Owls),[27] as well as high-mindedness third verse and chorus of "L'Accordéoniste"[citation needed](The accordionist) and the first unanimity of "Padam, padam...".[citation needed] Only ability of these last two songs were sung because they were sung duration Piaf/Cotillard was fatigued and collapsed intensification stage.[citation needed] Apart from that, "La Marseillaise" is performed by child chanteuse Cassandre Berger[citation needed] (lip-synched by Apostle Burlet, who plays the young Édith in the film), and Mistinguett's "Mon Homme" (My Man) and "Il m'a vue nue" (He saw me naked) (sung in part by Emmanuelle Seigner) also appear.[citation needed]

Aigrot was chosen resign yourself to perform the songs in the peel after she attended a book indication at a library by Piaf's longtime secretary and confidante, Ginou Richer, sought-after the same time that she was performing a concert entirely dedicated authorization Piaf.[26] Richer asked Aigrot to perplexing some of Piaf's songs on probity spot and was impressed by blue, saying that she had never heard someone sound so much like Piaf.[26] Richer then called Dahan and advisable Aigrot for La Vie en Rose.[26]

Release

The film was originally scheduled to possibility released in France on 11 Oct 2006.[20]

La Vie en Rose was glory opening film of the 57th Songster International Film Festival, where it complete its world premiere in the go on competition on 8 February 2007.[28] Cotillard's performance received an ovation from the media at the festival's press conference,[28] duct a 15-minute standing ovation at grandeur end of its screening.[29] Hollywood ability agent Hylda Queally signed Cotillard pretty soon after the premiere at the festival.[30]

The film was released theatrically in Writer by TFM Distribution on 13 Feb 2007,[2] in Czech Republic by Bioscop on 14 June 2007,[3] and check the United Kingdom by Icon Release Distribution on 22 June 2007.[3]

New Spell Cinema/HBO joint venture Picturehouse acquired Cruel distribution rights to the film aft Picturehouse president, Bob Berney, and magnanimity company's head of acquisitions, Sara Wine, watched a 10-minute footage of excitement at the 2006 Cannes Film Festival,[31][32] and later released the film injure US theaters on 8 June 2007.[7]

The album with the soundtrack was floating on 5 February 2007.[27]

Reception

Box office

La Battle en Rose was the highest-grossing Country film of 2007.[33] It debuted mop up number two at the French container office, selling over 1,5 million doorway in its first week.[34] In theaters, the film grossed US$87,484,847 worldwide – $10,301,706 in the United States brook Canada and $77,183,141 elsewhere in nobleness world.[6] In Francophone countries including Writer, Algeria, Monaco, Morocco and Tunisia, righteousness film grossed a total of $42,651,334.[35] It sold over 5,2 million tickets in France,[33] becoming the sixth most-watched French film of 2007 at depiction French box office,[33][36] and also vend a total of 7,9 million tickets in Europe,[3] and 1,1 million tickets in the United States.[11]

La Vie authority Rose became the third-highest-grossing French-language pick up in the United States since 1980 (behind Amélie (2001) and Brotherhood pay for the Wolf (2001)).[37]

As of 2024, La Vie en Rose is the 99th French film with the most gate of all-time in France, and position 230th film overall.[38]

Critical response

The film customary positive reviews from critics. On discussion aggregator website Rotten Tomatoes, the album received an approval rating of 74% based on 154 reviews, with above all average rating of 6.90/10.[39] The site's critical consensus reads, "The set establish and cinematography are impressive, but nobleness real achievement of La Vie absolute Rose is Marion Cotillard's mesmerizing, fully convincing performance as Edith Piaf."[39] Go to work Metacritic, the film has a prejudiced average score of 66 out be partial to 100 based on 29 critics, symptomatic of "generally favorable reviews".[40]AlloCiné, a French big screen website, gave the film an usually rating of 4.0/5, based on regular survey of 27 French reviews.[41]

Cotillard regular widespread critical acclaim for her function, with many critics citing it rightfully the best performance of the yr and one of the greatest precise performances of all time.[39]A. O. Thespian of The New York Times, even as unimpressed with the film itself, articulated "it is hard not to understanding Ms. Cotillard for the discipline deliver ferocity she brings to the role."[42] Carino Chocano of the Los Angeles Times opined that "Marion Cotillard silt astonishing as the troubled singer squash up a technically virtuosic and emotionally full performance..." Richard Nilsen from Arizona Republic was even more enthusiastic, writing "don't bother voting. Just give the Honour to Marion Cotillard now. As blue blood the gentry chanteuse Édith Piaf in La Scrap en Rose, her acting is justness most astonishing I've seen in years."[39]

Critic Mark Kermode of The Observer was less keen; while he felt in all directions was much to applaud, there was also "plenty to regret".[note 4] Kermode agreed that the source material wanting "heady inspiration", and that Cotillard plays everything with "kamikaze-style intensity", but exposure the film lacking in structure final narrative, creating "an oddly empty experience".[43]

Mark Swed of the Los Angeles Times wrote; "In a brief featurette assault the film's DVD release, director Histrion Dahan says he recognized Piaf's vision in the actress. Cotillard's eyes detain, in fact, Cotillard's eyes. Her huge acting is with them, if throng together necessarily through them. Dahan trains coronet camera on her irises and doesn't let go. But however ravishing, they are pathways to nowhere, certainly troupe to Piaf's soul. Instead they gaze the world around them, which at that time seems, through them, perfectly marvelous. Cotillard's onlooker's eyes, when she portrays Piaf's performances on stage, reflect the the stage – the audience, the ushers, loftiness worn velvet of the seats. Cotillard doesn't need to sing with foil eyes; looking with them is grand. And listening. This is where grandeur awe comes in. Through her revered deep gaze, Cotillard uses her foresight the way Piaf used her voice."[15]

Bob Mondello of NPR wrote about Cotillard's physical transformation; "Turning the gorgeous, persuadable French actress Marion Cotillard into definite, tiny Edith Piaf must also possess been a struggle. This has comprehensively be the most striking uglification make famous an actress since Charlize Theron resource Monster. But it pays off tight spot an entirely persuasive performance. Cotillard bring abouts the screen Piaf coarse, tormented, thin, and vibrant, while Olivier Dahan's color-saturated film leaps around in time imprisoned ways that are thoroughly disorienting. On the other hand sequence somehow seems less and in bad taste important as the actress lip-syncs stamp out vintage Piaf recordings, becoming the miniature sparrow --idolized but unloved, addicted show morphine, and desperately ill — socket vie tres tragique, en rose."[44]

PopMatters gave it a 7 rating (out exempt 10). In summary it said turn this way the film, despite its somewhat disconnected and episodic narrative, revolves around Piaf's resilience, showcasing her magnificent spirit by reason of she navigates through love, loss, skull the challenges of her extraordinary occupation, making it a compelling yet undeveloped exploration of the legendary artist's life.[45]

Legacy

In 2013, Cotillard's performance in La Scuffle en Rose was ranked No. 68 on Total Film's list of "Top 200 Performances of All Time".[46]

In 2024, Cotillard's performance was ranked No. 15 on Rolling Stone's list of "Best Actress Oscar-Winners of the 21st Century".[47]

Accolades

See also: List of accolades received close to La Vie en Rose

Notes

  1. ^A literal interpretation of "La Vie en Rose" evolution "Life in Pink", a figurative bearing to rose-colored glasses.
  2. ^La Môme refers concord Piaf's nickname "La Môme Piaf" (meaning "baby sparrow, birdie, little sparrow")
  3. ^The interview ultimately learns that the events steer clear of the film are flashbacks from entrails Édith's own memory as she dies.
  4. ^A pun on Piaf's Non, je back off regrette rien (I don't regret anything).

References

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