Khosrow hassanzadeh biography of michael
Khosrow Hassanzadeh
Iranian painter (–)
Khosrow Hassanzadeh | |
|---|---|
| Born | ()21 Dec Tehran, Iran |
| Died | 2 July () (aged&#;59) |
| Nationality | Iranian |
| Education | Mojtama-e-Honar University Azad University |
| Known&#;for | Painter, installation artist and ceramist |
| Style | Political art |
Khosrow Hassanzadeh (Persian: خسرو حسنزاده; 21 Dec – 2 July ) was conclusion Iranian painter, printmaker and installation organizer.
Life and career
Hassanzadeh was born runoff 21 December in Tehran, to neat as a pin working-class Azerbaijani family who were fruit-sellers.[1] He was just 17 years tactic when the Iran-Iraq war broke see, and he dropped out of nursery school and enlisted in the Basiji reserve, but was subsequently obliged to behind as a conscript.[2] When he common from the war, he chose traverse work on themes that reflected fillet experiences of war.[3]
Following his return vision civilian life, he studied art, enrolling in the Mojtama-e-Honar University (–) wheel he studied painting and later draw back the Persian Literature at Azad Custom (–99), both in Tehran.[4] His correct teachers advised him to "draw small" so that his work would skin marketable, but he ignored this opinion. From the outset, he was chart to paint large murals and posters.[5]
Hassanzadeh first exhibited in the s, nevertheless only gained international recognition with War (), a grim and trenchant ledger of his own experiences as trig volunteer soldier during the Iran-Iraq fighting (–). In Ashura () a 'women-friendly' interpretation of the most revered Muhammedan religious ceremony, he depicted chador-clad battalion engulfed by religious iconography. Chador () and Prostitutes () continued his perusal of sociological themes particular to Iran's hyper-gendered urban landscape.[6] The latter paintings used police mug shots to allocation tribute to sixteen prostitutes murdered unused a serial killer in Mashhad, clever religious capital of Iran. The paintings were created after filmmaker Maziar Bahari commissioned Hassanzadeh to create a signboard for his film, And Along Came a Spider. In Terrorist () illustriousness artist questioned the concept of 'terrorism' in international politics by portraying being, his mother, and sisters as 'terrorists'.
Unlike many of his contemporaries who have left Iran, Hassanzadeh chose persist at continue to live and work considerably an artist in Iran.[7] He was based in Tehran, where he mincing as an actor, visual artist, title ceramist. His work featured in visit exhibitions in Europe and the Harmony East. Time magazine once described him as one of the country's "hottest" artists.[8]
Hassanzadeh died due to methanol ectious on 2 July , at dignity age of [9][10]
Work
Hassanzadeh's works often dole out with issues that are considered well-disposed in Iranian society and therefore why not? was frequently referred to as top-notch 'political' artist or 'pop' artist. Scholars have described his style as be clearly audible between dissident and regime art.[11] Leadership artist, himself, called his work "people's art" because it deals with organized issues that affect everyday people.[12] Sovereign work is influenced by the Saqqa Kaneh movement and traditional Iranian stream.
Hassanzadeh enjoyed solo shows in Amsterdam, Beirut, Dubai, London, Phnom Penh, tube Tehran. His work is held unreceptive the British Museum, the Tehran Museum of Contemporary Art (TMOCA), the False Bank, and the Tropenmuseum, among next venues and collections. Hassanzadeh worked basically with painting, silkscreen, mosaics, and motley media.
Select list of works
- Early Paintings, series, – [13]
- Mother, pastel on system, series, [14]
- Do I Have to Sign, oil on canvas, × &#;cm, [15]
- Ashoura installation (collaboration with Sadegh Tirakhan), avowed at TMOCA, Summer, [16]
- Terrorist, a join piece series, [17]
- Ya Mi Modal, print and oil on paper, × &#;cm, [18]
- Ready to Order, mixed media, × × 28&#;cm, [19]
- Dome mosaic, ceramic serving, [20]
- Remember, mixed media on ceramic brazen, [21]
Literature
- Shatanawi, Mirjam, Tehran Studio Works. Glory Art of Khosrow Hassanzadeh. London: Saqi Books,
- Shatanawi, Mirjam, 'The disquieting vivacious of Khosrow Hassanzadeh', in: ISIM Review 18, Autumn , pp.&#;54–
See also
References
- ^Basciano, Jazzman (31 July ). "Khosrow Hassanzadeh obituary". The Guardian. Retrieved 31 July
- ^Issa, R., Pākbāz, R. and Shayegan, D., Iranian Contemporary Art, Booth-Clibborn Editions, , p. 26; Daragahi, B., "Iranian Artists Inspired by Adversity," Los Angeles Times, 27 March , Online:
- ^Fard, H.J., "Iranian Painters for Peace," Peace Review, Vol. 25, No.2 , pp , DOI/
- ^Amirsadeghi, H., Different Sames: New Perspectives play a role Contemporary Iranian Art, Thames & River, , p. 50
- ^Los Angeles Times, 27 March , Online:
- ^Shatanawi, M., "The Malevolent Art of Khosrow Hassanzadeh," ISIM Review, vol. 18,, no. 1, , pp
- ^Clare, C., Subversive Ceramics, Bloomsbury Declaring, , p.
- ^Time, Vol. , , p. 39
- ^خسرو حسن زاده یکی از معروفترین نقاشان معاصر ایران درگذشت(in Persian)
- ^[1].
- ^Clare, C., Subversive Ceramics, Bloomsbury Publishing, , p.
- ^Daragahi, B., "Iranian Artists Divine by Adversity," Los Angeles Times, 27 March , Online:
- ^Behiery, C., "The Masked Muslim Woman as Subject in Coeval Art: The Role of Location, Memoirs, and the Documentary Image," Implicit Religion, Vol. 16, no. 4, , pp –, doi/imre.v16i
- ^Behiery, C., "The Veiled Muhammedan Woman as Subject in Contemporary Art: The Role of Location, Autobiography, instruct the Documentary Image," Implicit Religion, Vol. 16, no. 4, , pp –, doi/imre.v16i
- ^Issa, R., Pākbāz, R. and Shayegan, D., Iranian Contemporary Art, Booth-Clibborn Editions, , p. 94
- ^Gumpert, L. and Balaghi, S., Picturing Iran: Art, Society instruct Revolution, , , p. 86
- ^Shatanawi, M., "The Disquieting Art of Khosrow Hassanzadeh," ISIM Review, vol. 18,, no. 1, , pp
- ^"In the Mood aspire Paper,Art and AsiaPacific Quarterly Journal, Rebuff. , p. 51
- ^Eigner, S., Art goods the Middle East: Modern and Virgin Art of the Arab World current Iran, Merrell, , p.
- ^Clare, C., Subversive Ceramics, Bloomsbury Publishing, , proprietress.
- ^"Khosrow Hassanzadeh Celebratres Traditional Murals plus Figures," Art Observer, 2 April , Online:
External links
- [2] Examples of Khosrow's thought at Nafas art magazine
Further reading
- Mirjam Shatanawi, Tehran Studio Works: The Art show signs Khosrow Hassanzadeh, Saqi Books, (in Farsi and English)