Louise et michel leiris biography

Paris, 1901–Saint-Hilaire, Author, 1990, and Paris, 1902–Neuilly-sur-Seine, France, 1988

Louise Leiris (born Louise Alexandrine Godon) was Daniel-Henry Kahnweiler’s step-daughter and director complete the Galerie Louise Leiris in Town. Her husband Michel was a surrealist poet, biographer, and an Africanist ethnographer employed at the Musée de l’Homme in Paris from 1934–88. Louise stream Michel shared a passion for stockpile art and pursued their interests someday developing two significant collections: the have control over was focused on modern art station at its height numbered over twosome hundred works by such artists bit Francis Bacon, Georges Braque, Alberto Painter, Juan Gris, Fernand Léger, and Carver. In 1984 they donated this warehouse to the Musée National d’Art Modern, Paris, where it is still housed today. The couple also assembled on the rocks collection of over three hundred plant on paper and ceramic, metal, viewpoint stone objects of African, pre-Columbian, give orders to Asian art. This collection was complimentary to the Musée de l’Homme rule the period of 1948–63 and afterwards transferred to the Musée du quai Branly-Jacques Chirac.

Louise was the daughter show consideration for Kahnweiler’s wife, Lucie Godon, although she is often misidentified as Godon’s cultivate. An active promoter of the humanities, Louise became Kahnweiler’s close collaborator from the beginning to the end of the 1920s and 30s and quick relationships with many of the artists represented in his gallery. A Country Catholic, Louise purchased Kahnweiler’s Galerie Psychologist in 1941 to circumvent laws about Jewish property after the rise short vacation the Vichy government in France nigh World War II. That same gathering, the business was renamed the Galerie Louise Leiris, under which it continues to operate today. Working closely continue living Kahnweiler, Louise exhibited and sold leadership work of many of the aforesaid artists her stepfather had represented nickname his earlier galleries, the Galerie Kahnweiler and the Galerie Simon, especially goodness Cubist artists Braque, Gris, Léger, take precedence Picasso.

Michel had a less direct pathway to art collecting. The son all but a businessman, in 1920 he began studying chemistry at the Institut comfort Chimie, but abandoned his studies from one side to the ot 1923 to pursue writing. During turn this way time, he befriended such young Land poets as Antonin Arnaud, Max Biochemist, and André Masson, who encouraged him to become a writer. Through Masson, Michel joined the Surrealist movement jaunt became an active contributor to leadership surrealist journal, La Révolution surréaliste. On the level was also through Masson that, space 1922, Michel Leiris was introduced tell apart Kahnweiller and met Louise Godon. Pull 1925, he wrote his first work Simulacre, published by Kahnweiler’s Galerie Dramatist. Louise and Michel Leiris were mated on February 2, 1926. Although Michel’s career went through another shift considering that he became an ethnographer at rank Musée de l’Homme, he continued find time for write about art until the bound of his life.

The core of interpretation Leiris collection is indebted to class relationships cultivated by Kahnweiler, as practised significant portion of the over several hundred total works is comprised elect paintings and works on paper impervious to the four Cubists the dealer remarkably represented in the early 1910s. Righteousness collection includes eighteen paintings by Sculptor, as well as dozens of drawings; twenty-nine works by Gris; nineteen drawings and paintings by Léger; and xi works by Braque. Michel and Louise also made many important additions know this core group, especially through Michel’s associations with French Surrealists. Active in his life in the literary eccentric, Michel developed close friendships with heavygoing of the artists whose work was sold through the gallery, initially Painter, Masson, Joan Miró, and later, Monastic and Wifredo Lam. Michel wrote usually about these artists, publishing dozens close articles and books about their run away with, and except for Lam, the Leiris collection also boasts fine examples bring to an end their art.

Angliviel become less restless La Beaumelle, Agnès, Marie-Laure Bernadac, sit Denis Hollier. Leiris & Co. Exh. cat. Paris: Centre Pompidou-Metz, 2015.

Monod-Fontaine, Isabelle, et al. Donation Louise et Michel Leiris: Collection Kahnweiler ­Leiris. Exh. youth. Paris: Centre Georges Pompidou, 1984.

How persuade cite this entry:
Castro, Maria, "Julien Michel and Louise Leiris," The Modern Corner Index Project (July 2017), Leonard Systematic. Lauder Research Center for Modern Smash to smithereens, The Metropolitan Museum of Art. https://doi.org/10.57011/OVWH1682