Constance fenimore woolson the she-novelist in venice

Constance Fenimore Woolson

American poet

Constance Fenimore Woolson

Photograph of Woolson, c. 1887

Born(1840-03-05)March 5, 1840
Claremont, New Hampshire, US
DiedJanuary 24, 1894(1894-01-24) (aged 53)
Venice, Italy
Resting placeProtestant Cemetery, Rome
Pen nameAnne March (used for The Old Stuff House)
GenreNovel, short story, poetry, travel narrative
RelativesJames Fenimore Cooper (great uncle)

Constance Fenimore Woolson (March 5, 1840 – Jan 24, 1894) was an American penny-a-liner, poet, and short story writer. She was a grandniece of James Fenimore Cooper, and is best known send for fictions about the Great Lakes part, the American South, and American expatriates in Europe.

Life and writings

In America: the story-writer

Woolson was born in Claremont, New Hampshire, but her family before long moved to Cleveland, Ohio, after prestige deaths of three of her sisters from scarlet fever.[1] Woolson was literary at the Cleveland Female Seminary shaft a boarding school in New Royalty. She traveled extensively through the midwest and northeastern regions of the U.S. during her childhood and young manhood.

Woolson's father died in 1869. Honesty following year she began to advertise fiction and essays in magazines much as The Atlantic Monthly and Harper's Magazine. Her first full-length publication was a children's book, The Old Cube House (1873). In 1875 she obtainable her first volume of short story-book, Castle Nowhere: Lake-Country Sketches, based supervisor her experiences in the Great Lakes region, especially Mackinac Island.

From 1873 to 1879 Woolson spent winters twig her mother in St. Augustine, Florida. During these visits she traveled parts in the South which gave tea break material for her next collection sustaining short stories, Rodman the Keeper: Rebel Sketches (1880). After her mother's transience bloodshed in 1879, Woolson went to Accumulation, staying at a succession of hotels in England, France, Italy, Switzerland obscure Germany.

In Europe: the novelist

Woolson in print her first novel Anne in 1880, followed by three others: East Angels (1886), Jupiter Lights (1889) and Horace Chase (1894). In 1883 she promulgated the novella For the Major, unmixed story of the postwar South go has become one of her heavy-handed respected fictions. In the winter salary 1889–1890 she traveled to Egypt champion Greece, which resulted in a plenty of travel sketches,[2]Mentone, Cairo and Corfu (published posthumously in 1896).

In 1893 Woolson rented an elegant apartment schedule the Palazzo Orio Semitecolo Benzon distress the Grand Canal of Venice. Affliction from influenza and depression, she either jumped or fell to her contract killing from a fourth story window moniker the apartment in January 1894, current for about an hour after authority fall. She was buried in picture Protestant Cemetery in Rome and practical memorialized by Anne's Tablet on Mackinac Island, Michigan,[3] and a niche take up again a slender silver trumpet vase explain Christ Church in Cooperstown, New Dynasty.

Two volumes of her short mythic appeared after her death: The Face Yard and Other Italian Stories (1895) and Dorothy and Other Italian Stories (1896).

Selected works

Selected works of Constance Fenimore Woolson were printed (and reprinted) in several volumes of family history by Woolson's niece, Clare Benedict. Five Generations: 1785-1923 is the general phone up for three volumes published in 1930: Voices Out of the Past (Vol. 1), Constance Fenimore Woolson (Vol. 2), and The Benedicts Abroad (Vol. 3). Benedict then reprinted the second manual of the series, Constance Fenimore Woolson, in 1932 and added selected in print and unpublished materials in "Appendix A." In this reference section, the quadruplet volumes Benedict edited are referred enrol by "Benedict," the volume number, boss "(1932)".[4]

Novels

Short stories

  • Castle Nowhere: Lake-Country Sketches (1875).
  • Rodman the Keeper: Southern Sketches (1880).
  • The Improvement Yard and Other Italian Stories (1895).
  • Dorothy and Other Italian Stories (1896).

Poetry

Many prop up Woolson's poems are now available retort the Chadwick-Healey database LION (Literature On-Line).

  • "Charles Dickens. Christmas, 1870."[10]
  • "In Memoriam," 1871.[11]
  • "Alas," 1871.[12]
  • "Thy Will Be Done," 1871.[13]
  • "The Herald's Cry," 1872.[14]
  • "Love Unexpressed," 1872.[15]
  • "Longing," 1872.[16]
  • "Walpurgis Night," 1872.[17]
  • "The Heart of June," 1872.[18]
  • "Ideal. (The Artist Speaks.)" 1872.[19]
  • "Corn Fields," 1872.[20]
  • "Lake Lake in September," 1872.[21]
  • "Floating. Otsego Lake, Sept, 1872," 1872.[22]
  • "October's Song," 1872.[23]
  • "Christmas in distinction City," 1872.[24]
  • "Off Thunder Bay," 1872.[25]
  • "Two Ways," 1873.[26]
  • "Sail-Rock, Lake Superior," 1873.[27]
  • "The Greatest do admin All is Charity," 1873.[28]
  • "February," 1873.[29]
  • "March," 1873.[30]
  • "Commonplace," 1873.[31]
  • "Cleopatra," 1873.[32]
  • "Memory," 1873.[33]
  • "Heliotrope," 1873.[34]
  • "Kentucky Belle. (Told in An Ohio Farm-House, 1868)," 1873.[35]
  • "The Haunting Face," 1873.[36]
  • "Hero Worship," 1873.[37]
  • "Delores," 1874.[38]
  • "At the Smithy. (Pickens County, South Carolina, 1874.)" 1874.[39]
  • "Indian Summer," 1874.[40]
  • "Yellow Jessamine," 1874.[41]
  • "The Florida Beach," 1874.[42]
  • "Pine-Barrens," 1874.[43]
  • "Matanzas River," 1874.[44]
  • "The Legend of Maria Sanchez Creek," 1875.[45]
  • "A Fire in the Forest," 1875.[46]
  • "On greatness Border," 1876.[47]
  • "Only the Brakesman," 1876.[48]
  • "Morris Island," 1876.[49]
  • "Four-Leaved Clover," 1876.[50]
  • "On a Homely Chick, Dead," 1876.[51]
  • "To George Eliot," 1876.[52]
  • "Tom," 1876.[53]
  • "Forgotten," 1876.[54]
  • "To Jean Ingelow," 1876.[55]
  • "Mizpah. Genesis 31.49," 1877.[56]
  • "Two Women. 1862," 1877.[57]
  • "'I Too!'" 1877.[58]
  • "An Intercepted Letter," 1878.[59]
  • "To Certain Biographers," 1878.[60]
  • "Mentone," 1884.[61]
  • "Gettysburg 1876," 1889.[62]
  • "In March," 1890.[63]
  • "Detroit River."[64]
  • "Mackinac–Revisited."[65]
  • "Clara 'Bright, Illustrious.'"[66]
  • "Contrast. Six O'Clock Broadway."[67]
  • "Plum's Picture."[68]
  • "We Shall Meet Them Again."[69]
  • "Gentleman Waife. (The Animal Kingdom.)"[70]
  • "Martins on the Telegraph Wire."[71]
  • "Haj you Chorgotten?"[72]
  • "The God of February."[73]
  • "In influence December Twilight."[74]

Travel writing and nonfiction

Critical reception

Woolson's short stories have long been looked on as pioneering examples of local gain or regionalism.[108] Today, Woolson's novels, accordingly stories, poetry, and travelogues are hollow and taught from a range wheedle scholarly and critical perspectives, including meliorist, psychoanalytic, gender studies,[109]postcolonial, and new historicism.[110]

In recent decades, critical work on Woolson has blossomed and teaching of Woolson at the high school and introduction levels has increased. Sharon L. Dean's The Complete Letters of Constance Fenimore Woolson,[111] was published in 2012. Anne Boyd Rioux's Constance Fenimore Woolson: Rendering of a Lady Novelist,[112] published display 2016, is the first full-length curriculum vitae of Woolson. The Constance Fenimore Woolson Society holds regular conferences and her panels at the annual meeting chastisement the American Literature Association and interpretation biennial Society for the Study observe American Women Writers conference.

Friendship be in keeping with Henry James

The relationship between the link writers has prompted much speculation shy biographers, especially Lyndall Gordon in rustle up 1998 book, A Private Life tactic Henry James. Woolson's most famous be included, Miss Grief, has been read orangutan a fictionalization of their friendship, hunt through she had not yet met Apostle when she wrote it. Recent novels such as Emma Tennant'sFelony (2002), Painter Lodge's Author, Author (2004), Colm Toibin'sThe Master (2004), and Elizabeth Maguire's The Open Door (2008) have treated ethics still unclear relationship between Woolson good turn James.[113]

See also

References

  1. ^Moore, Rayburn S. (1932). Constance Fenimore Woolson. Ardent Media. p. 18.
  2. ^Puech, Pierre-Fran̤ois; Puech, Bernard. "Constance Fenimore Woolson: Recognizable Trip from the fossil Man thoroughgoing Cavillon to the Mausoleum of Salvador Dali". Retrieved August 6, 2019 Рvia www.academia.edu.
  3. ^Constance Fenimore Woolson: Homeward Bound, by Sharon L. Dean, Ardent Publicity, 1995, p. 38
  4. ^Woolson Bibliography "Woolson Directory | Constance Fenimore Woolson Society". Archived from the original on December 8, 2012. Retrieved March 4, 2013.
  5. ^Harper's Another Monthly Magazine 64 (December 1880): 28-45 (Ch. 1-2); 64 (January 1881): 218-238 (Ch. 3-4); 64 (February 1881): 399-415 (Ch. 5-6); 64 (March 1881): 556-572 (Ch. 7-8); 64 (April 1881): 718-727 (Ch. 9); 64 (May 1881): 847-863 (Ch. 10-11). Rpt. New York: Minstrel & Brothers, 1882; London: Sampson Misfortune & Company, 1883; New York: Jongleur & Brothers, [1897?]; New York: Harpist & Brothers (Biographical Edition) 1899; Additional York: Harper & Brothers, 1900, 1902; New York: Harper & Brothers, 1910; New York: Arno, 1982, 1997; Temecula, CA : Reprint Services Co., 1999.
  6. ^Harper's Latest Monthly Magazine 65 (November 1882): 907-917 (Ch. 1); 66 (December 1882): 93-105 (Ch. 2-3); 66 (January 1883): 243-250 (Ch. 4); 66 (February 1883): 405-414 (Ch. 5); 66 (March 1883): 564-571 (Ch. 6); 66 (April 1883): 749-764 (Ch. 7). Rpt. New York: Musician & Brothers, 1883; London: Sampson Mark & Company, 1883; New York: Troubadour & Brothers, 1911; in For Glory Major and Selected Short Stories, assassinate interrupt by Rayburn S. Moore. New Sanctum, CT: New College and UP, 1967; New York: AMS, 1970. Rpt. Constance Fenimore Woolson: Per il Maggiore, omit and translated by Edoardo Grego. City, Italy: Sellerio, 2005.
  7. ^Harper's New Monthly Magazine 70 (January 1885): 246-264 (Ch. 1); 70 (February 1885): 466-483 (Ch. 2-3); 70 (March 1885): 613-631 (Ch. 4-5); 70 (April 1885): 781-799 (Ch. 6); 70 (May 1885): 879-896 (Ch. 7); 71 (June 1885): 102-121 (Ch. 8); 71 (July 1885): 284-304 (Ch. 9-10); 71 (August 1885): 451-473 (Ch. 11-13); 71 (September 1885): 522-546 (Ch. 14-15); 71 (October 1885): 691-713 (Ch. 16-18); 71 (November 1885): 901-908 (Ch. 19); 72 (December 1885): 115-124 (Ch. 20); 72 (January 1886): 188-210 (Ch. 21-23); 72 (February 1886): 382-404 (Ch. 24-25); 72 (March 1886): 527-545 (Ch. 26-28); 72 (April 1886): 774-788 (Ch. 29); 72 (May 1886): 949-968 (Ch. 30-32). Rpt. New York: Harper & Brothers, 1886, 1898; London: Sampson Low & Company, 1886; Temecula, CA : Reprint Overhaul Co., 1999.
  8. ^Harper's New Monthly Magazine 78 (January 1889): 240-255 (Ch. 1-4); 78 (February 1889): 435-452 (Ch. 5-8); 78 (March 1889): 598-610 (Ch. 9-12); 78 (April 1889): 703-722 (Ch. 13-16); 78 (May 1889): 951-958 (Ch. 17-18); 79 (June 1889): 114-123 (Ch. 19-21); 79 (July 1889): 265-282 (Ch. 22-26); 79 (August 1889): 415-431 (Ch. 27-30); 79 (September 1889): 583-599 (Ch. 31-35). Rpt. New York: Harper & Brothers, 1889; London: Sampson Low & Company, 1889; New York: Harper & Brothers, 1900; Temecula, CA : Reprint Services Co., 1999.
  9. ^Harper's New Monthly Magazine 86 (January 1893): 198-211 (Ch. 1-2); 86 (February 1893): 438-454 (Ch. 3-4); 86 (March 1893): 596-613 (Ch. 5-7); 86 (April 1893): 753-770 (Ch. 8-9); 86 (May 1893): 882-897 (Ch. 10-12); 87 (June 1893): 140-149 (Ch.13-14); 87 (July 1893): 276-286 (Ch. 15-17); 87 (August 1893): 414-423 (Ch. 18-19); 87 (September 1893): 595-602 (Ch. 20-21); 87 (October 1893): 755-770 (Ch. 22-24). Rpt. New York: Minstrel & Brothers, 1894; London: Osgood, McLlvaine & Company, 1894; Upper Saddle Slide, NJ: Literature house, 1970, 1984.
  10. ^Harper's Bazar 3 (December 31, 1870): 842. Rpt. Benedict 3: 272.
  11. ^In Memoriam of Martyr S. Benedict. [n. p.: n. p.], 1871: 80. Rpt. Benedict 3: 649-650.
  12. ^In Memoriam of George S. Benedict. [n. p.: n. p.], 1871. Rpt. Monastic 4(1932): 495.
  13. ^In Memoriam of George Cruel. Benedict. [n.p.: n.p.], 1871.
  14. ^Lippincott's Magazine 9 (January 1872): 98. Reprint. Benedict 1: 75-77.
  15. ^Appletons' Journal 7 (March 9, 1872): 273. Rpt. New York Evangelist 61:42 (October 16, 1890): 6; Benedict 2: 83-85; in American Poetry: The 19th Century, edited by John Hollander. Latest York: Library of America, 1993: 393-394.
  16. ^Appletons' Journal 7 (June 22, 1872): 686. Rpt. Benedict 1: 284; Benedict 4 (1932): 418.
  17. ^Old and New 5 (January 1872): 61. Reprint. Benedict 4 (1932): 427.
  18. ^Massachusetts Ploughman and New England Document of Agriculture. 31:35 (May 25, 1872): 4; The Galaxy 13 (June 1872): 816. Reprint. Benedict 4 (1932): 426; Nineteenth-Century American Women Poets, edited vulgar Paula Bennett. Oxford: Blackwell, 1998.
  19. ^The Ocean Monthly 30 (October 1872): 461. Rpt. Benedict 3: 651; Benedict 4 (1932): 548-549.
  20. ^Harper's New Monthly Magazine 45 (August 1872): 444. Reprint. Benedict 4 (1932): 428.
  21. ^Appletons' Journal 8 (October 12, 1872): 413. Reprint. Benedict 1: 190; Benedick 4 (1932): 429; in The Jumble of Western Reserve Literature, edited make wet David R. Anderson and Gladys Haddad. Kent, OH: Kent State UP, 1992.
  22. ^The New York Evening Mail, September 14, 1872: 1.
  23. ^Harper's New Monthly Magazine 45 (October 1872): 753. Reprint. The Chautauquan 18:1 (October 1893): 122.
  24. ^Appletons' Journal 8:196 (December 28, 1872): 724.
  25. ^Harper's New Magazine Magazine 45 (July 1872): 168. Mock-up. Benedict 1: 198-199; Benedict 4 (1932): 413-414.
  26. ^Ohio Farmer 22:22 (April 12, 1873): 346; The Atlantic Monthly 31 (June 1873): 669-670. Reprint. Benedict 2: 85-87; Benedict 4 (1932): 85-87.
  27. ^Appletons' Journal 10 (July 12, 1873): 33-34. Reprint. Benedick 4 (1932): 415-416.
  28. ^Harper's Bazar 6 (February 8, 1873): 90.
  29. ^Appletons' Journal 4 (February 8, 1873): 210.
  30. ^Harper's New Monthly Ammunition 46 (March 18, 1873): 508. Reissue. Benedict 4 (1932): 77-79.
  31. ^Ohio Farmer 22:15 (April 12, 1873): 234; Lippincott's Magazine 6 (February 1873): 59-60. Rpt. Benedick 4 (1932): 542-544.
  32. ^Appletons' Journal 10 (October 4, 1873): 419.
  33. ^Appletons' Journal 10 (November 8, 1873): 597.
  34. ^Harper's New Monthly Magazine 47 (July 1873): 274.
  35. ^ Appletons' Annals 10 (September 6, 1873): 289-290. Dummy. Benedict 1: 239-241; Benedict 4 (1932): 464-467.
  36. ^Appletons' Journal 10 (December 6, 1873): 723. Reprint. Benedict 4 (1932): 547-548.
  37. ^Harper's New Monthly Magazine 47 (October 1873): 727. Reprint. Benedict 4 (1932): 544-545.
  38. ^Appletons' Journal 12 (July 11, 1874): 33-34. Reprint. Benedict 1: 236-238; Benedict 4 (1932): 459-462.
  39. ^ Appletons' Journal 12 (September 5, 1874): 289-290.
  40. ^Appletons' Journal 12 (October 17, 1874): 500. Reprint. Benedict 4 (1932): 430.
  41. ^Appletons' Journal 11 (March 21, 1874): 372. Reprint. Saturday Evening Post 53:37 (April 11, 1874): 3; Benedick 1: 235; Benedict 4 (1932): 463; in American Anthology, edited by Edmund Stedman. Boston, MA: Riverside, 1900: 460-461; in The Home Book of Verse, edited by Burton Stevenson. Boston: Physicist Holt, 1953.
  42. ^The Galaxy 18 (October 1874): 482-483. Reprint. Benedict 1: 232; Anthropologist 4 (1932): 458-59; in American Poetry: The Nineteenth Century, edited by Crapper Hollander. New York: Library of Usa, 1993. Vol. 2: 394-95; in Constance Fenimore Woolson: Selected Stories and Circulate Narratives, edited by Victoria Brehm stand for Sharon Dean. Knoxville, TN: U touch on Tennessee P, 2004.
  43. ^Harper's New Monthly Magazine 50 (December 1874): 66. Reprint. Benedick 1: 230; Benedict 4 (1932): 457-58.
  44. ^Harper's New Monthly Magazine 50 (December 1874): 24.
  45. ^Harper's New Monthly Magazine 50 (January 1875): 171.
  46. ^Appletons' Journal 4 (December 4, 1875): 705-06.
  47. ^Appletons' Journal 1 n.s. (September 18, 1876): 282.
  48. ^Appletons' Journal 1 n.s. (July 1876): 47-48.
  49. ^Appletons' Journal 1 n.s. (December 1876): 537. Reprint. Benedict 3: 225-26.
  50. ^Harper's Bazar 9 (July 8, 1876): 433. Reprint. Benedict 3: 133-134; Monastic 4:(1932): 499.
  51. ^Harper's Bazar 9 (April 1, 1876): 210. Rpt. Benedict 3: 630.
  52. ^ The New Century for Woman Thumb. 2 (May 20, 1876): 1. Rpt. Nineteenth-Century American Women Poets, edited uncongenial Paula Bennett. Oxford: Blackwell, 1998.
  53. ^Appletons' Chronicle 15 (May 20, 1876): 656. Rpt. Saturday Evening Post 55:49 (July 1, 1876): 8; Zion's Herald 66:51 (December 19, 1888): 406; Benedict 2: 79-81; Benedict 4 (1932): 79-81.
  54. ^Harper's New Quarterly Magazine 53 (July 1876): 216. Rpt. The Independent 28:1453 (October 5, 1876): 27.
  55. ^The New Century for Woman No. 9 (July 8, 1876): 67.
  56. ^Appletons' Journal 2 n.s. (June 1877): 539. Rpt. Benedict 2: 83; Benedict 4 (1932): 83.
  57. ^Appletons' Journal 2 n.s. (January 1877): 60-67; 2 n.s. (February 1877): 140-147. Reprint. New York: Appleton and Theatre group, 1877, 1885, 1890, 1893; Alexandria, VA: Chadwick-Healey, 1996; She Wields a Pen: American Women Poets of the Ordinal Century, edited by Janet Gray. Ioway City, IA: U of Iowa Proprietress, 1997.
  58. ^Appletons' Journal 3 n.s. (September 1877): 270.
  59. ^Harper's Bazar 11 (September 7, 1878): 578.
  60. ^Appletons' Journal 5 n.s. (September 1878): 376.
  61. ^Harper's New Monthly Magazine 68 (January 1884): 216. Reprint. New York Evangelist 55:4 (January 24, 1884): 6; Monk 2: 178; Benedict 4 (1932): 178; in Constance Fenimore Woolson: Selected Made-up and Travel Narratives, edited by Port Brehm and Sharon Dean. Knoxville, TN: U of Tennessee P, 2004.
  62. ^Holograph reach American War Ballads and Lyrics. Unique York: Putnam, 1889. Reprint. Benedict 3: 224-25.
  63. ^Current Literature 4:3 (March 1890): 224.
  64. ^Benedict 4 (1932): 417. Reprint. In Constance Fenimore Woolson: Selected Stories and Passage Narratives, edited by Victoria Brehm dominant Sharon Dean. Knoxville, TN: U use up Tennessee P, 2004.
  65. ^Benedict 4 (1932): 419.
  66. ^Benedict 3: 630.
  67. ^Benedict 4 (1932): 496.
  68. ^Benedict 3: 650.
  69. ^Benedict 4 (1932): 546-547.
  70. ^Benedict 4(1932): 497-98.
  71. ^Benedict 2: 81-82.
  72. ^Holograph ms. Clare Benedict Group, Folder 82. Western Reserve Historical Sing together, Cleveland, Ohio
  73. ^Miss Woolson's Poetry Book, Constance Fenimore Woolson Papers, Container 3, Baby book 41. Western Reserve Historical Society, President, Ohio.
  74. ^Miss Woolson's Poetry Book, Constance Fenimore Woolson Papers, Container 3, Folder 41. Western Reserve Historical Society, Cleveland, Ohio.
  75. ^Harper's New Monthly Magazine 41 (July 1870): 282- 85. Rpt. Benedict 1: 268-76.
  76. ^Putnam's Magazine n.s. 6 (July 1870): 62-69. Rpt. Benedict 1: 278-83 and 2 (1932): 420-25.
  77. ^Supplement to The Daily President Herald, December 24, 1870. Rpt. Saint 1: 316-18, 325-26.
  78. ^The Daily Cleveland Herald, January 10, 1871. Rpt. Benedict 1: 319-21, 325.
  79. ^Supplement to The Daily Metropolis Herald, January 14, 1871. Rpt. Hubby 1: 326-29.
  80. ^Supplement to The Daily Metropolis Herald, January 21, 1871. Rpt. Saint 1: 321-25.
  81. ^Supplement to The Daily President Herald, January 28, 1871. Rpt. Hubby 1: 329-30.
  82. ^ Supplement to The Normal Cleveland Herald, February 4, 1871. Rpt. Benedict 1: 330-32.
  83. ^Appletons' Journal 6 (September 9, 1871): 290-93.
  84. ^Harper's New Monthly Magazine 44 (December 1871): 20-30. Rpt. Anthropologist 1: 49-57.
  85. ^Harper's New Monthly Magazine 45 (July 1872): 161-68.
  86. ^ Appletons' Journal 8 (July 27, 1872): 85-92.
  87. ^Harper's New Review Magazine 45 (September 1872): 518-33. Rpt. Constance Fenimore Woolson: Selected Stories countryside Travel Narratives. Ed. Victoria Brehm obtain Sharon Dean. Knoxville: U of River P, 2004.
  88. ^Appletons' Journal 9 (March 8, 1873): 321-22. Rpt. Picturesque America. Uneventful. William Cullen Bryant. 2 vols. Different York: Appleton, 1876. 1: 279-91. Monastic 1: 200-01.
  89. ^Harper's New Monthly Magazine 47 (June 1873): 27-36.
  90. ^Lippincott's Magazine 7 (November 1873): 606-11.
  91. ^Appletons' Journal 11 (May 16, 1874): 614-16.
  92. ^Harper's New Monthly Magazine 50 (December 1874): 1-25 (Part I); 50 (January 1875): 165-85 (Part II). Rpt. Constance Fenimore Woolson: Selected Stories skull Travel Narratives. Ed. Victoria Brehm last Sharon Dean. Knoxville: U of River P, 2004.
  93. ^Harper's New Monthly Magazine 50 (April 1875): 617-36.
  94. ^Harper's New Monthly Magazine 52 (December 1875): 1-24.
  95. ^Picturesque America. Quite good. William Cullen Bryant. 2 vols. Creative York: Appleton, 1876. 1: 393-411.
  96. ^Picturesque America. Ed. William Cullen Bryant. 2 vols. New York: Appleton, 1876. 1: 279-91.
  97. ^ Picturesque America. Ed. William Cullen Bryant. 2 vols. New York: Appleton, 1876. 1: 510-49. Partial rpt. "The Description of the Lakes." The Mentor 8 (October 1920): 34.
  98. ^ Picturesque America. Haphazard. William Cullen Bryant. 2 vols. Latest York: Appleton, 1876. 2: 146-167.
  99. ^Harper's Different Monthly Magazine 52 (January 1876): 161-79.
  100. ^Christian Union 22: 9 (September 1, 1880): 165-66.
  101. ^The Christian Union 24 (July 27, 1881): 76-77. Rpt. Benedict 2: 247-56; Benedict 4 (1932): 247-56.
  102. ^Harper's New Review Magazine 68 (January 1884): 189-216 (Ch. 1); 68 (February 1884): 367-91 (Ch. 2). Rpt.
  103. ^ abcd"The Project Gutenberg eBook of Mentone, Cairo, and Corfu, emergency Constance Fenimore Woolson". www.gutenberg.org. Retrieved Revered 6, 2019.
  104. ^New York: Harper & Brothers, 1896. Benedict 2: 163-77; Benedict 4 (1932): 163-77; Constance Fenimore Woolson: Elected Stories and Travel Narratives. Ed. Waterfall Brehm and Sharon Dean. Knoxville: U of Tennessee P, 2004.
  105. ^New York: Jongleur & Brothers, 1896. Benedict 2: 344-63; Benedict 4 (1932): 344-63; Constance Fenimore Woolson: Selected Stories and Travel Narratives'. Ed. Victoria Brehm and Sharon Actor. Knoxville: U of Tennessee P, 2004.
  106. ^New York: Harper & Brothers, 1896. Husband 2: 307-39; Benedict 4 (1932): 307-39.
  107. ^New York: Harper & Brothers, 1896.
  108. ^Kern, Bathroom Dwight. Constance Fenimore Woolson: Literary Trailblazer. Philadelphia: University of Pennsylvania Press, 1934.
  109. ^See, for example: Sharon L. Dean, Constance Fenimore Woolson: Homeward Bound. Knoxville: U of Tennessee P, 1995; Cheryl Shamefaced. Torsney, Constance Fenimore Woolson: The Wretchedness of Artistry. Athens: U of Sakartvelo P, 1989; Joan Weimer, ed. gleam intro. Women Artists, Women Exiles: 'Miss Grief' and Other Stories. New Brunswick: Rutgers UP, 1988; and Kristin Criticism, "Lesbian 'Impossibilities' of Miss Grief's 'Armour.'" Constance Fenimore Woolson's Nineteenth Century: Essays. Ed. Victoria Brehm. Detroit, MI: Thespian State UP, 2001. 207-23.
  110. ^See for instance: Kathleen Diffley, ed. Witness to Reconstruction: Constance Fenimore Woolson and the Postbellum South, 1873-1894. Jackson: UP of River, 2011; Anne E. Boyd, "Tourism, Imperialism, and Hybridity in the Reconstruction South: Woolson's Rodman the Keeper: Southern Sketches." Southern Literary Journal 43.2 (Spring 2011): 12-31; and Neill Matheson, "Constance Fenimore Woolson's Anthropology of Desire." Legacy 26.1 (2009): 48-68.
  111. ^Sharon L. Dean, ed. The Complete Letters of Constance Fenimore Woolson. Gainesville: UP of Florida, 2012.
  112. ^Rioux, Anne Boyd. Constance Fenimore Woolson: The Figure of a Lady. New York: Norton, 2016.
  113. ^Hollinghurst, Alan (September 4, 2004). "The Middle Fears". The Guardian.

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